Jillian Tamaki
 

SDCC 2010 Con Report

Jul 30th, 2010

So I’m just getting back into the swing of things after our epic California trip. Here is a con report!

(You can also read it LARGER.)






There are a few other things to mention:

1. I rebuilt my portfolio site. www.jilliantamaki.com was hacked very badly and removing the hack proved more irritating than scrapping the thing and starting anew. I pared it down and added annotations to some of the pieces. I’ll be polishing it up over the next few weeks, but I really, really needed The Internet to stop thinking I was running some kind of sex-aid pharmacy. Although I AM Canadian…

2. I am part of a new anthology: Marvel Strange Tales II. Yes, I am now a Marvel Artist. How effing cool is THAT?! I made a short comic about Dazzler. So much fun. Can’t wait to share more of this project.

3. Indoor Voice. Did I mention that I already? Well, I added some pictures!

Links to some of the pertinent people in the above comic:
Peter Birkemoe (The Beguiling)
Chris Butcher
James Sturm
Gabrielle Bell
Vanessa Davis, whose book “Make Me A Woman” is terrific
Trevor Alixopulos
Mimi Pond
Angie Wang
Hellen Jo
Sam Weber, of course
Heidi MacDonald
Hope Larson
Bryan Lee O’Malley
Eric Nakamura, of Giant Robot

INDOOR VOICE is here!

Jul 29th, 2010

INDOOR VOICE! It’s here! A box came today!

It never gets old opening a box of your own books.

So it should be trickling into stores soon (or order online here). Let me tell you about the book:

I consider Indoor Voice to be a companion piece to the book I did in 2006, Gilded Lilies. It is not a narrative story (like Skim), but rather a collection of short comics, sketchbook stuff, etc. It’s inspired, in fact, by the spirit of this very blog. (There are some “reprints” of blog material, but much of it is new.) It can be hard to sum up a book like this, but I had some practice talking about it at Comic-con: I think this book is a snapshot of a year or two in a creative life and is probably best enjoyed by others who live or aspire to a creative life as well.

Making “art” (in the loosest, purest sense of word) for a living is tough. I see students, often in the 2nd semester of 4th year, come to a sinking realization that Illustration is sometimes not fun at all. It’s work. Work that is sometimes boring, frustrating, by-committee, and maddeningly collaborative. Some people are great at viewing illustration as just a profession, a job, filling a need, rendering a service. No problem with that at all. Part of me views it that way too (it’s part of “being a professional”). But I do sincerely believe that without personal work and comics, I might go nuts. For the most part, there is little Sense of Play in commercial illustration (there are a few glorious exceptions to this rule). And the Sense of Play is really what nourishes creativity and, ultimately, good work (paid or otherwise). Sometimes, I think, it’s actually more important than rigorous practice.

So. Here you go. A little glimpse into Play.